Here are a few observations about Iman Maleki, an Iranian artist, considered the world’s greatest living realist painter. His remarkable skill, however, is not only that his pictures are photo quality—that would be a poor compliment to him—but mostly in his subject matters, composition, and the profound expressions on the faces of his characters, never dull but beaming with joy of the creator.

 

“I have enjoyed many paintings from art galleries in Paris, Moscow, Mysore, UK, etc., but the technique, expressions, realism of these paintings take you to a different world! Ravi Varma reborn? Just gaze and enjoy for hours of enjoyment! Wow!!!” This is what a perceptive art critic says.

 

Iman Maleki was born on 1976 in Tehran. He has been fascinated by the art of painting since he was a child. At the age of 15, he started to learn painting under the mastery of his first and only teacher—Morteza Katouzian—who is the greatest realist painter of Iran. Meanwhile, he began to paint professionally. In 1999 he graduated in Graphic Design from the Art University of Tehran. Since 1998, he has participated in several exhibitions. In the year 2000, he got married and in the following year he established ARA Painting Studio and started to teach painting, considering classical and traditional values.

 

Important exhibitions in which he participated are: The Exhibition of Realist painters of Iran at Tehran Contemporary Museum of Art (1999), The Group Exhibition of KARA Studio Painters at SABZ Gallery (1998), and at SA'AD ABAD Palace (2003). In 2005, Iman received the William Bouguereau award and the Chairman's Choice award in the second international ARC salon competition.

 

Here are presented just two images of Imam Maleki’s remarkable paintings: A Girl by the Window, and The Musicians. Not only are they living and full of life with a kind of magical appeal; there is the wonderful sense of beauty in their exquisite and cultured sublimated vitality, exuding sweetness and charm, aesthetically belonging to the high expression of the unimpeded streaming of the life-force. These may not touch the deeper layers of the inner being or climb up the ladder of the spiritual perceptions; nor are they simply realistic or imaginative—there is in them a colourful and vibrant element of creativity. Perhaps it is this which makes them enchanting and valuable even as they come in the age of highly mentalised or sophisticated forms of art.

 


A Girl by the Window



The Musicians



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