Connected with the ancient five elements of Matter there are several traditions describing their character and their role in the material world. We have no idea if the Chaldean or Egyptian occultism had any perception of their presence and functioning, although there is a necessary connection between the occult practices and the five elements. But we do start seeing these elements in one form or the other even in the early Vedic revelations. The Upanishads expound them in different contexts, contexts particularly related with the manifestation of the eternal Spirit, the Brahman, in the universe. In the Puranas elaborate descriptions are presented when they speak of Nature or Prakriti working in the field of cosmic space and time. Later we also begin to notice their loud presence in the functioning of human body and related health aspects, in the science of life; humourology is a development connected with them. In the following we shall quickly trace just a few of these developments before we take up the details of how Narad in the Book of Fate of Savitri might have assumed a gross physical form when he was visiting Aswapati.

 

In ancient China the Taoist theory considered five transformations or five phases as five elements. These were named as Wood, Fire, Earth, Metal and Water and it was maintained that nothing can exist without them; indeed, all that is here in this immense creation is constituted from them alone. Their proportions may change from object to object, yet as basic ingredients they have to be always there in everything. These elements also carry attributes and have flavours and colours, and they respond to seasons, and to the forces of nature. Further, the Taoist physicians associate different organs in a human body with one or other of these elements. A transition from one phase to another phase is an aspect of the creative change which constantly keeps on happening.

 

Wood is the most human of the elements. It is the element of spring with a creative urge to achieve what it sets out to accomplish. Fire is the element of summer, indicating also the moment of maximum activity. Earth has association with harvest and produce, abundance, nourishment. Metal is the force of gravity and has structure; it consolidates inward movement, as that of a flower closing its petals. Finally, we have water as the source of life; it nourishes and maintains the health of every cell in the body. The cells constantly grow and die to make way for new cells.

 

The corresponding colours associated with these elements are: green with wood, red with fire, yellow with earth, white with metal, and black with water. It is also maintained that, although one speaks of five elements, there is actually just one single element behind them all. Of the total amount of energy we draw to subsist, only 10% comes from the food we eat and the rest from the five elements, air, water, light, earth and the universe we inhabit. That they are subtle in character is what we discern in this understanding.

 

It seems that in the third century B.C. the first Chinese to have written about the elements was Tsou Yen of the Ying-Yang school, but his works got lost to posterity. Later, with the arrival of Buddhism in China, there came about a change in the enumeration of these elements. Ether and Air became a part of this system, sometimes omitting Metal and Wood. Ether started getting associated with Shunyata or the condition of Nothingness, Void, with the King of Emptiness Kong Wang presiding over it.

 

In the Tibetan system association of different Buddhas with the five elements is significant in several respects. In the order of void, water, earth, fire and air these are Virochana, Akshobhta, Ratnasambhava, Amitabh, and Amoghsiddhi. They also have their corresponding powers or Shaktis: Akashdhatu, Lochana, Mamkai, Pandhara, and Tara. The five Buddhas have their thrones or vehicles; these are: Lion, Elephant, Horse, Peacock, and Garuda. The Buddhas rule over the worlds of the gods, the demons, the ghosts, and the human beings. But, more pertinently, it may be noted that the five elements have definite roles to play in the functioning of the human body. There was at the base of the entire pursuit an urge for physical immortality and hence the Tantrik techniques got developed in the long course of time. However, the gains didn’t seem to be commensurate with the effort. The notion of immortality and search for the cherished Elixir of Life with the associated alchemic pursuits were not sufficiently spiritual. In fact, in such a situation there is always the danger of falling into a vitalistic trap from which it becomes practically impossible to come out with one’s own effort or strength.

 

We may refer here briefly to what John Woodroffe says in his Shākta studies: “In Tantrik worship, the body as well as the mind has to do its part, the former being made to follow the latter… Bhutashuddhi, an important Tantrik rite, means purification of the five ‘elements’ of which the body is composed, and not ‘removal of evil demons’… For the attainment of competency to worship, the elements of which the body is composed should be purified. The material human body is a compound of the five Bhutas of earth, water, fire, air and ether. These terms have not their usual English meaning but denote the five forms in which Prakriti the Divine Power as materia prima manifests Herself. These have each a centre of operation in the five Chakras or Padmas (Centres or Lotuses) which exist in the spinal column of the human body. In the lowest of these centres (Muladhar), the Great Devi Kundalini, a form of the Saguna Brahman, resides. She is ordinarily sleeping there. In Kundalini-yoga, She is aroused and brought up through the five centres, absorbing, as She passes through each, the Bhuta of that centre, the subtle Tanmatra from which it derives and the connected organ of sense (Indriya). Having absorbed all these, She is led to the sixth or mind centre (Ajna) between the eyebrows where the last Bhuta or ether is absorbed in mind, and the latter in the Subtle Prakriti. The last in the form of Kundalini Shakti then unites with Shiva in the upper brain called the thousand-petalled lotus (Sahasrara).” [1] If successfully done, the follower of the Yoga gets a new body, a Deva Body. Yet it is far away from the possibility of realising divinity by the body itself; divine life in a divine body is an altogether different proposition.

 

Later, while dealing with the aspect of Kundalini Shakti, Woodroffe writes the following: “The Supreme in never localised whilst its manifestations are. It is everywhere both within and without the body, but it is said to be in Sahasrara, because it is there that the Supreme Shiva-Shakti is realised. And this must be so, because consciousness is realised by entering in and passing through the highest manifestation of mind, the Sattwamayi Buddhi, above and beyond which is Chit and Chidrupini Shakti themselves. From their Shiva-Shakti Tattwa aspect are evolved Mind in its form as Buddhi, Ahankar, Manas and associated senses (Indriyas) the centre of which is in and above the Ajna Chakra and below the Sahasrara. From Ahankar proceed the Tanmatras or generals of the sense-particulars which evolve the five forms of sensible matter (Bhuta), namely, Akash (Ether), Vayu (Air), Agni (Fire), Apas (Water), and Prithvi (Earth)… The terms indicate varying degrees of matter from the ethereal to the solid. Thus Prithvi or earth is any matter in the Prithvi state; that is which may be sensed by the Indriya of smell. Mind and matter pervade the whole body. But there are centres therein in which they are predominant. Thus Ajna Chakra is a centre of mind, and the five lower Chakras are centres of the five Bhutas; Vishuddha of Akash, Anahata of Vayu, Manipura of Agni, Svadhishthan of Apas, and Muladhara of Prithvi… Man as the microcosm is the all-pervading Spirit (which most purely manifests in the Sahasrara) vehicled by Shakti in the form of Mind and Matter the centres of which are the sixth and following five Chakras respectively.” [2]

 

From the point of view of a practising Yogi the role of the five great elements can be profitably seen in the body-meditations prescribed by the Yogatattva Upanishad. In his monograph on the Chakras Leadbeater renders the relevant description as follows: “There are five elements, earth, water, fire, air, and ether. For the body of the five elements, there is a fivefold concentration. From the feet to the knees is said to be the region of earth; it is four-sided in its shape, yellow in colour, and has the letter la. Carrying the breath with the letter la along the region of earth (from the feet to the knees) and contemplating Brahma with four faces and of a golden colour, one should perform meditation there… The region of water is declared to extend from the knees to the anus. The water is semi-lunar in shape and white in colour, and has va for its Bija (seed). Carrying up the breath with the letter va along the region of water, he should meditate upon Narayana, having four arms and a crowned head, as being of the colour of pure crystal, as dressed in orange clothes and as decayless… From the anus to the heart is said to be the region of fire. Fire is triangular in shape, of red colour, and has the letter ra for its Bija or seed. Raising the breath, made resplendent through the letter ra, along the region of fire, he should meditate upon Rudra, who has three eyes, who grants all wishes, who is of the colour of the midday sun, who is smeared all over with holy ashes, and who is of a pleased countenance… From the heart to the middle of the eyebrows is said to be the region of air. Air is hexangular in shape, black in colour, and shines with the letter ya. Carrying the breath along the region of air, he should meditate upon Ishwara, the omniscient, as possessing faces on all sides... From the centre of the eyebrows to the top of the head is declared to be the region of ether; it is circular in shape, smoky in colour, and shining with the letter ha. Raising the breath along the region of ether, he should meditate upon Sadashiva in the following manner—as producing happiness, as of the shape of bindu (a drop), as the Great Deva, as having the shape of ether, as shining like pure crystal, as wearing the rising crescent moon on his head, as having five faces, ten hands, and three eyes, as being of a pleasing countenance, as armed with all weapons, as adorned with all ornaments, as having the goddess Uma in one-half of his body, as ready to grant favours, and as the cause of all causes.” [3]

 

The ascent from the gross to the subtle and going all the way up to the Two-in-One, Shiva and Shakti in one poise, is the Yogi’s occult Sankhya-ladder taking him on the upward way to the beatitude of the conscious Existent, the soul uniting with God. That is his desirable siddhi. But there are knots around knots, and within knots, and one starts wondering if there aren’t in the human body fifty Chakras and Adharas supporting the entire mechanism; indeed, one treatise belonging to the Kashmiri Tantrik School does hold such a view. The traditional Kundalini Yoga however identifies only seven Chakras or Centres of Energy in our subtle body.

 

The Sankhya and Shakta traditions in India go back to ancient times and describe all the spiritual, occult and physiological aspects. The three forces of Nature or Gunas form an integral part of the Vedantic description, everywhere, in the Vedas, in the Upanishads, in the Gita, in the Epics, in the Puranas. But the description does not stop just with that; it also goes farther to characterise the fourfold order of the society. A vaster connection is seen behind the cosmic organisation and the basic qualities that enter into the play. We might take up these aspects for a more detailed study later, but in the meanwhile let us just list here the five elements with their associations. (1) Ether: Akash; Sound; Shabda; (2) Air: Vayu; Contact; Sparsha; (3) Fire:  Agni; Form; Roop; (4) Water: Apah; Fluidity; Rasa; (5) Earth: Prithvi; Solid; Gandha. According to the Vishnu iconography the associations go as follows: (1) Ether: Vasudeva; Shankha. (2) Air: Samkarsana; Chakra. (3) Fire: Pradyumna; Gada. (4) Water: Aniruddha; Lotus.  (5) Earth: Narayana; between the two feet of Vishnu.

 

The Greek system has an interesting view of linking the elements with the geometrical cosmology. It kind of makes the system scientific. The concept of shapes and numbers originating from Plato and Pythagoras provided a perceptible visibility to the character of the five elements: earth, water, fire, air, and the fifth essence or quintessence added later by Aristotle. Euclid’s five regular solids found a relationship with the five elements. Thus was the heavenly sphere made complete. In that way each of the five elements occupied a structural form and character. The Theory of Forms as developed by Plato brought perfection to the nature of the entire creation based on these elements. They are said to be the eternal archetypes, intrinsic to the universal soul. But the discovery of these elements was not in one go,—it happened in several stages. One also wonders whether the stamp of revelation or of experienced yogic knowledge which is there in the Vedantic-Tantrik enlightenment is present here. Not Intuition but Pure Reason made available to us this understanding. The early Pre-Socratic philosophers who developed the concept of elements were: Thales for water, Anaximenes for air, Xenophanes for earth and Heraclitus for fire. Empedocles proposed that they all exist together in fixed quantities from the beginning. He was a disciple of Pythagoras and Parmenides and died about 6 years before Plato was born.

 

Plato had a low opinion of the arts. To him if the world itself was an image or copy of the real, arts represented copy of a copy, twice removed from reality. In his Republic he writes: “...painting [and] ...the whole art of imitation is busy about a work which is far removed from the truth; ...and is its mistress and friend for no wholesome or true purpose. ...[it] is the worthless mistress of a worthless friend, and the parent of a worthless progeny.” But on geometry: it is “…pursued for the sake of the knowledge of what eternally exists, and not of what comes for a moment into existence, and then perishes, ...[it] must draw the soul towards truth and give the finishing touch to the philosophic spirit.” Plato lived for 82 years and it is said that he never laughed in his life. Emotions linked up with arts would have the power to cloud pure reason and so they have to be banished from the Republic of Thought. To him it looked as if the soul would drift away from the “philosophic spirit” and the truth that it embodies would get distorted. No wonder, arts had no place in his world of ideas! But the richness of intuition that Plato had is missing in Aristotle whose approach was insistently scientific, methodological, analytical, academic, though still lacking empirical foundation. A long meandering and tortuous journey was involved in arriving at it.

 

Plato states: “We must proceed to distribute the figures we have just described between fire, earth, water, and air… Let us assign the cube to earth, for it is the most immobile of the four bodies and most retentive of shape the least mobile of the remaining figures, icosahedron to water the most mobile, tetrahedron to fire the intermediate, octahedron to air.” About the fifth element he says: “There still remained a fifth construction, which the god used for embroidering the constellations on the whole heaven.”

 

Plato’s account of creation of the universe, as given in great detail in the Timæus, essentially derives its authority from an ancient and remote tradition handed over from generation to generation. Written towards the end of Plato's life, c. 355 BC, the Timæus “describes a conversation between Socrates, Plato’s teacher, Critias, Plato’s great grandfather, Hermocrates, a Sicilian statesman and soldier, and Timæus, a Pythagorean philosopher, scientist, general, contemporary of Plato, and the inventor of the pulley.”

 

The principal speaker of the dialogue, Timæus, was an eminent astronomer of the time, having made the nature of the universe his special study; he had scaled all the heights of philosophy too. After positing that the world was created in the likeness of the Creator, he proceeded to assert that there cannot be multiple or infinite universes, but that there is just one and only-begotten single universe. Further, being a creation, it is necessarily corporeal, making it distinct perhaps from the typal-ideal that exists in the realm of original forms. We are also told that the composition of this world is based on the four elements fire, air, water and earth, made perfect from perfect parts.

 

Now that which is created is of necessity corporeal, as also visible and tangible. And nothing is visible where there is no fire, or tangible which has no solidity, and nothing is solid without earth. Wherefore also God in the beginning of creation made the body of the universe to consist of fire and earth. But two things cannot be rightly put together without the third; there must be some bond of union between them. And the fairest bond is that which makes the most complete fusion of itself and the things which it combines; and proportion is best adapted to effect such a union. For wherever in any three numbers, whether cube or square, there is a mean, which is to the last term what the first is to it; and again, when the mean is to the first term as the last term is to the mean—then the mean becoming first and last, and the mean becoming the first and last both becoming means, they will all of them of necessity come to be the same, and having become the same with one another will be all one. If the universal frame had been created a surface only having no depth, a single mean would have sufficed to bind together itself and the other terms; but now, as the world must be solid, and solid bodies are always compacted not by one mean but by two, God placed water and air in the mean between fire and earth, and made them to have the same proportion as far as was possible (as fire is to air so is air to water, and as air is to water so water is to earth); and thus he bound and put together a visible and tangible heaven. And for these reasons, and out of such elements which are in number four, the body of the world was created, and it was harmonised by proportion, and therefore has the spirit of friendship; and having been reconciled to itself, it was indissoluble by the hand of any other than the framer.

 

An eternal world in time that has been, and is, and will be in all time, was fashioned after the nature of the Creator himself. But, of course, before the body of the world was fashioned from the elements, the Creator made the soul “in origin and excellence prior to and older than the body, to be the ruler and the mistress, of whom the body was to be the subject.” The soul was compounded of the indivisible, the divisible, and the essential taken in good proportion and with it began “a beginning of never-ceasing and rational life enduring through all time.” Thus, while the body comes from the elements, it is the soul that interfuses each of them, from the centre to the circumference of the whole created universe. [4]

 

There is a geometrical structure also associated with each element. The Platonic Solids, as they are known, connected with the five elements are: (1) fire—tetrahedron; (2) air—octahedron; (3) water—icosahedron; (4) earth—cube; (5) the universal, the quintessence we now call ether—dodecahedron. Aristotle, however, was not in favour of such a characterisation of the elements linked up with geometry. He considered fire as hot and dry, air as hot and wet, water cold and wet and earth as cold and dry. It is the Aristotelian view that dominated thought for several centuries, till the Middle Ages. One really wonders why people just refuse to think independently, even today; inquiry became a victim.

 

It is interesting to see that connections were sought between the four elements and the aspects of health even by the early philosophers. By the time of Hipocrates (c. 460 - c. 377 BC) the theory of the four humours was well developed in Greece. Empedocles (c. 493-433 BC) was the first to introduce the idea that health depended on the balance of four fluids or humours in the working of the human body. In this description fire corresponds to blood, air to yellow bile, water to phlegm, and earth to black bile. But the question as to how they arrived at this doctrine, that the diseases have their seat in the humours, remains a mystery to us. Perhaps some ancient mystical or occult knowledge was already present in the race and that knowledge or intuition was seized by the perceptive mind that was quick and supple enough to receive such intimations.

 

In the course of time ancient Greek concepts and views got incorporated in the Christian theology. They had but to be included in order to make theology complete, for the simple reason that no part of knowledge could remain outside its purview. But it is unfortunate that the provisionality of this human knowledge or the prerequisite of intuitive perception was never recognised and later, in order to defend and assert what became a part of the creed and system, arrogance prevailed in all its dealings. Nevertheless, in the context of our discussion of the five elements let us take just one or two examples that have entered in it, interestingly even in the narrative of Milton’s great epic, Paradise Lost. The basic idea is that the appearance of the material world out of the formless mass is at the bidding of the Creator, but definiteness comes to things only in the working of the five elements. The celebrated glory of transubstantiation is a wonderful consequence of Christian mysticism founded on experience, experiences of the saints who were also in touch with the psychic being, something new which was not present in the earlier Greek days.

 

Milton’s story of creation is somewhat different from Plato’s, with five and not just four elements going to make the body of the universe. Thus Uriel narrates to Satan how at the command of the Creator arose, out of Confusion, the great World-Order:

 

I saw when at his Word the formless Mass,

This world’s material mould, came to a heap:

Confusion heard his voice, and wilde uproar

Stood rul’d, stood vast infinitude confin’d;

Till at his second bidding darkness fled,

Light shon, and order from disorder sprung:

Swift to their several Quarters hasted then

The cumbrous Elements, Earth, Flood, Aire, Fire,

And this Ethereal quintessence of Heav’n

Flew upward, spirited with various forms,

That rowld orbicular, and turned to Starrs

Numberless, as thou seest, and how they move;

Each had his place appointed, each his course,

The rest in circuit walles this Universe. [5]

 

This is in the context when the Angel, though the Regent of the Sun, the Light of God, one of the seven Spirits that stand within the sight of God, was beguiled to speak jubilantly about the works of the Creator in order to glorify him. He shows to Satan the place where the new creation is to be born, the Earth. The deed was done, but perhaps one more dark possibility that could have arisen was to be faced and removed forthwith.

 

There is an interesting point made by Milton as to how the elements change into each other. This pertains to the visit of Raphael to Adam in the Garden of Eden; the visit was to warn Adam about the danger that may come to the new creation under temptation. He was specifically sent “to render Man inexcusable, to admonish him of his obedience, of his free estate, of his enemy near at hand.” Adam sees him descending on his Paradise and tells Eve to welcome him with a feast in his honour. While they are having a sumptuous dinner, the Angel gives details to Adam about the process of transubstantiation and how the corporeal becomes ethereal. Incidentally, we may remark that whereas Raphael’s forewarning remained unheeded, the parallel situation in Sri Aurobindo’s epic pertaining to Narad’s visit on the wings of the divine inspiration initiated Savitri into Yoga to meet the eventuality of the death of Satyavan. Savitri’s positive thrust is reassuring.

 

In the Garden of Eden as the feast prepared by Eve was being enjoyed, Raphael explains in minute details how the corporeal turns into the incorporeal:

 

…Therefore what he gives

(Whose praise be ever sung) to man in part

Spiritual, may of purest Spirits be found

No ingrateful food: and food alike those pure

Intelligential substances require

As doth your Rational; and both contain

Within them every lower facultie

Of sense, whereby they hear, see, smell, touch, taste,

Tasting concoct, digest, assimilate,

And corporeal to incorporeal turn.

For know, whatever was created, needs

To be sustained and fed; of Elements

The grosser feeds the purer, Earth the Sea,

Earth and Sea feed Air, the Air those Fires

Ethereal, and as lowest first the Moon… [6]

 

Milton’s description is partly Platonic, partly Christian-theological. But what is missed in all these formulations is the force of Nature deployed by the great Agent to produce the material world, a world though in likeness one with him yet, being a creation, somewhat different from him. Milton’s Sankhya, more specifically, speaks of the corporeal turning into the incorporeal through the process of concoction, digestion and assimilation of material alimentation, but we are not told anything if the reverse is at all possible. This is important in the context of Narad’s present appearance in a physical body. Did Raphael appear in the Garden of Eden the way Narad had when he paid a visit to Aswapati, through the Sankhya procedure of materialisation? If Adam and Eve were in flesh and blood, like us, Raphael ought to have undergone the same transmutation in establishing communion with matter. But nothing is told to us about it. Narad’s undertaking through the soul-space and then through the five elemental stages finally leads him to identification with the dense earthly stuff; herein the subtle becomes the gross. If we are to get some understanding of this process, then we will have to go to the theories of the material creation of the Indian tradition having their profound beginnings in the Veda. In these systems the five elements are actually the five causal evolutionary stages through which the boundless creative Energy evolves itself in terms of the manifest universe. The Sankhya gives the description of Purusha and Prakriti in this context. It might be surmised that some of these ancient Indian ideas had travelled to other countries in the course of early unknown history but there the full context remained disjointed.

 

There is a truth in the idea of transubstantiation though the modern mind thinks that it contradicts common sense. Of course, it does; but it falls beyond the scope of its capacity to get to the depth of its truth. Nor can it be called a miracle, simply because we cannot comprehend the occult of it. The doctrine claims that the bread and wine used in the communion ceremony is changed in substance, so that what is bread and wine to all the senses is in fact the body and blood of Christ. What a wonderful possibility opened out if only we can grasp its deeper and truer esotericism, its mystic-spiritual significance! In it is the hope of the substance changing into that of the body, blood, soul and divinity of Jesus Christ himself. In it is indeed the Real Presence. When we do not know the process, to us it looks to be a mystery; when it does happen without our coming to know of it, it appears to be a miracle. But reason should admit that there are things beyond reason, that it should be reasonable to itself. Hamlet-like we have to hold that there are things in earth and heaven we can hardly imagine.

 

Let us read St. John 6: By the miracles of the loaves and fishes and of walking upon the waters, on the previous day, Christ not only prepared his hearers for the sublime discourse containing the promise of the Eucharist, but also proved to them that he possessed, as Almighty God-man, a power superior to and independent of the laws of nature, and could, therefore, provide such a supernatural food, none other, in fact, than his own flesh and blood.

 

But it seems, that regarding transubstantiation Christ was talking more of the future possibility than of an immediate event leading to the transformation of the physical body. The threefold food is the feast of tomorrow and not of the present. Moses dispensed Manna; the heavenly Father is the bread of Heaven, Christ himself offering later his true flesh and blood. That will be the Holy Communion in the fulfilment of the Eucharist ritual, if we are to say in that manner. That will be the Real Presence declared in “This is my body—This is my blood.” In it are included all the three, Body and Soul and Divinity. Such is the concept totally beyond Grecian formulations, and of course beyond the rational mind of our own time. It is even said: “St. Augustine was deprived of a clear conception of Transubstantiation, so long as he was held in the bonds of Platonism.” One can well understand this. Nor is it just conversion, a change or transmutation from one into another, but transformation itself. In it the substance itself undergoes a fundamental metamorphosis. In it is the commune tertium, in it is the substantial union of materia prima and forma substantialis.

 

We have to perhaps read implications of some of these clues in the reverse process of Narad’s communion with the dense Matter:

 

Into solid Matter’s dense communion

Plunging and its obscure oneness of forms

He shared with a dumb Spirit identity.

 

Spirit’s identification with Matter means that it becomes the Upanishadic Food, Anna; it becomes the Eucharistic Bread and Wine. Participating in the holy sacrament is a communion which could be of different degrees. In the causal Matter the communion would be creative and nourishing and dynamic, Spirit and Substance flowing into each other, the former energising and the latter determining and moulding the potent expressive urges; there would be an intimate and firm identity. On the other hand, in solid Matter which is weighed heavily by the inconscience the communion would be clumsy, onerous, burdensome, uncertain. The character of Matter at this stage is, apart from its gravity, one of obscurity. This can be seen in contrast to communion and oneness of the gnostic being with the Creator within him where the relations of gnostic being with gnostic being are an “expression of their one gnostic self and supernature shaping into a significant power and form of itself the whole common substance.” [7] Presently, the dense communion is with the dumb Spirit. Narad shares it when he comes down to this last stage in his descent from Paradise; his identity with the obscure oneness of form is the dumb Spirit’s.

 

It is because the Spirit identifies itself with Matter that Matter has hope. What is the hope, therefore, Narad is bringing to us? But he brings the Word of Fate. By his action he sets free the spring of providence, of the cosmic Future. Such a vast action is in his identity with the destiny of the earth. It is to promote this destiny that he rushes to Madra to meet Savitri and her parents. Narad shares identity with the obscurity of Matter and as he has done that there is a hope that the see-saw game will stop and the glory and the marvel usher in a new day, the Everlasting Day.

 

 

RY Deshpande



[1] Shakti and Shākta, pp. 350-52

[2] Ibid., p. 434

[3] The Chakras

[4] Plato, 427-347 BC, The Dialogues of Plato, translated by B. Jowett, pp. 14-15; The Timæus, 32

[5] Paradise Lost, Book III

[6] Ibid., Book V

[7] The Life Divine, p. 978


Source: This is Chapter VI of the author’s book entitled Narad’s Arrival at Madra published by the Sri Aurobindo International Centre of Education, Sri Aurobindo Ashram Pondicherry (2006). It is based on the opening passage of 83 lines of the Book of Fate of Savitri. As it is dealing with the Sankhya process of materialization, I’m reproducing it here in the context of the discussion at

http://www.mirroroftomorrow.org/blog/_archives/2009/1/2/4042583.html

where we have very valuable details about the nature of the physical reality behind the gross formation with which the physical science is familiar. Thanks to Pavitra for keeping a record of the conversation he and a couple of other disciples had with Sri Aurobindo in 1926, just a few months before his retirement to concentrate on the work of the supramental descent in the bodily material. There are a few chapters in the book discussing this topic from various angles and these will be serialised to have a comprehensive idea of the whole thing as far as possible for us.

 

Chapter V appears at:

http://www.mirroroftomorrow.org/blog/_archives/2009/1/5/4046092.html