Nishikanta seems to have put himself into contact with an inexhaustible source of flowing word and rhythm—with the world of sound-music, which is one province of the World of Beauty. It is part of the vital World no doubt and the joy that comes of contact with that beauty is vital—but it is a subtle vital which is not merely sensuous. It is one of the powers by which the substance of the consciousness can be refined and prepared for sensibility to a still higher beauty and Ananda. Also it can be made a vehicle for the expression of the highest things. The Veda, the Upanishads, the Mantra everywhere owe half its power to the rhythmic sound that embodies it.
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