<?xml version="1.0" encoding="UTF-8" ?>

<rss version="2.0"
  xmlns:ent="http://www.purl.org/NET/ENT/1.0/"
  xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel>
  <title>Mirror of Tomorrow</title>
  <link>http://www.mirroroftomorrow.org/blog</link>
  <description></description>
  <language>en-us</language>
  <lastBuildDate>Mon, 15 Mar 2010 05:58:33 +0530</lastBuildDate>
  <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
  <generator>Blogware</generator>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Mirror of Tomorrow </title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2008/11/19/3986013.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2008/11/19/3986013.html</guid>
    <pubDate>Mon, 17 Nov 2008 19:25:05 +0530</pubDate>
    <description>&lt;strong&gt;Mirror of Tomorrow—The Human Aspiration&lt;/strong&gt;&lt;br&gt;
The earliest preoccupation of man in his awakened thoughts and... his inevitable and ultimate preoccupation... is also the highest which his thought can envisage. It manifests itself in the divination of Godhead, the impulse towards perfection, the search after pure Truth and unmixed Bliss, the sense of a secret immortality. The ancient dawns of human knowledge have left us their witness to this constant aspiration; today we see a humanity [with its] victorious analysis of the externalities of Nature preparing to return to its primeval longings. The earliest formula of Wisdom promises to be its last,—God, Light, Freedom, Immortality.&lt;br&gt;
&lt;br&gt;
 Sri Aurobindo
&lt;HR&gt;
&lt;HR&gt;
&lt;strong&gt;Our Vision &lt;/strong&gt;&lt;br&gt;
It will be the endeavour to seek and express all that ennobles the human spirit in its quest towards perfection, towards truth and beauty and joy and sweetness and love, towards fulfilment of the sense of immortality present in its deeper soul, its ceaseless aspiration for the higher manifestation even in the material creation. The Mirror shall reflect and reflect upon things of tomorrow, bring closer the human destinies by approaching the future as much as by beckoning the future to enter into its thousand possibilities.
&lt;HR&gt;
&lt;HR&gt;</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Aswapati’s Yoga-Tapasya and the Divine Event</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/15/4464230.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/15/4464230.html</guid>
    <pubDate>Mon, 15 Mar 2010 03:30:00 +0530</pubDate>
    <description>The Puraņas tell us that Brahma created the worlds by the Tapas-Will, by the power of concentrated gathering-in of consciousness. In the present instance, Aswapati created the new world by the power of his yogic &lt;i&gt;samkalpa&lt;/i&gt;, as an act of supreme will in the identification and union with the Divine. He had the knowledge, of the Eternal and the Eternal in Time, and he was carrying with him the desire of the world for its fulfilment. There was the problem of the two negations pulling the soul of man in two opposite directions, the rejection of the world by the exclusive God-seeker and the denial of the materialist dismissing the things of the spirit. More fundamentally, there is the entrenched antagonism to all that is high and noble and spiritually elevating, all that is fulfilling, hostility pitched against life, the extreme ill-will and nastiness of death and its stark malevolence. Contradictions have somehow entered into this creation and they have to be met and dealt with, removed, contradictions between falsehood and truth, evil and good, suffering and happiness, darkness and light. The world left behind continues to be governed by naked falsehood and ignorance and death. Aswapati accepts it not. Not only does he not accept it; he sets himself to resolve it. &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Sanatana Dharma XLII—Six Systems of Indian Philosophy (Vedānta A) by Sanjeev Nayyar</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/14/4477997.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/14/4477997.html</guid>
    <pubDate>Sun, 14 Mar 2010 03:30:00 +0530</pubDate>
    <description>&lt;i&gt;The philosophical systems of Mimāmsā and Vedānta are closely related to each other and are in some ways inter-dependent and complementary. The teachings of Vedānta may be said to have their roots in the fertile soil of Mimāmsā. Mimāmsā emphasis the teachings of Veda in the light of rituals, while VE emphasis the teachings of the Veda in the light of knowledge. Traditionally Mimāmsā called Purva-Mimāmsā meaning the initial teachings of the Veda and Vedānta is called Uttara-Mimāmsā meaning the later of higher teachings of the Veda. Vedānta means ‘the end of the Vedas’. In ancient times an Indian student’s education was not complete until he or she received instruction in the Upanishads. A mere study of the Veda is not sufficient to reach his goal. Rather, a student needs to realize its teachings experientially. &lt;/i&gt; &lt;br&gt;
&lt;br&gt;
...
</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Poetry Time: 13 March 2010—A Description of the Morning by Jonathan Swift</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/13/4472108.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/13/4472108.html</guid>
    <pubDate>Sat, 13 Mar 2010 03:30:00 +0530</pubDate>
    <description>&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;object width=&quot;560&quot; height=&quot;340&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/3o2sfM05O4U&amp;hl=en_US&amp;fs=1&amp;&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/3o2sfM05O4U&amp;hl=en_US&amp;fs=1&amp;&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;560&quot; height=&quot;340&quot;&gt;&lt;/embed&gt;&lt;/object&gt; &lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; The watchful bailiffs take their silent Stands, &lt;br&gt;
And School-Boys lag with Satchels in their Hands. &lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Jyotirmoyee—by Anurag Banerjee (A)</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/12/4475802.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/12/4475802.html</guid>
    <pubDate>Fri, 12 Mar 2010 03:30:00 +0530</pubDate>
    <description>&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt;
&lt;img src=&quot;/MoTPhotos/Jyotirmoyee1.jpg&quot;&gt; &lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;i&gt;Hers was the story of how one’s destiny could be changed by love and how love could ruin one’s life. Hers was the story of how one aspired to find love first in mortals, then in the Divine and again in a mortal but at the end of the day, it was love that made her lose all that she had gained in life—fame, her very identity and above all, the aegis of Sri Aurobindo and the Mother. She was Jyotirmoyee, renamed Jyotirmala by Sri Aurobindo. Jyotirmoyee was born in March 1903 in a Buddhist family of Satbaria, situated in Chittagong... &lt;/i&gt; &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Evaluating Democracy—by Ghazia Aslam and Wasim Q Malik</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/11/4470108.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/11/4470108.html</guid>
    <pubDate>Thu, 11 Mar 2010 03:30:00 +0530</pubDate>
    <description>&lt;i&gt;A passionate debate comparing and contrasting the performance of Pakistan’s democratic and dictatorial regimes has been raging recently in various discussion forums. A quantitative yardstick to assess the effectiveness of a form of government and its relevance to the local context of a country can be defined in terms of consequent economic development. Advocates of democracy claim that it protects property rights, promoting an environment of collective growth. &lt;/i&gt; &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Mānavati</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/10/4466041.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/10/4466041.html</guid>
    <pubDate>Wed, 10 Mar 2010 03:30:00 +0530</pubDate>
    <description>&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;img src=&quot;/MoTPhotos/ManavatiTemple.jpg&quot;&gt;
 &lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; She cherished in her bosom &lt;br&gt;
The will of the god, and resumed the task&lt;br&gt;
Assigned to her at the start of vague time,— &lt;br&gt;
To pour heaven’s streams upon providence&lt;br&gt;
And make lands green, smiling with wealth of corn, &lt;br&gt;
And to give fruits to trees, and songs to birds, &lt;br&gt;
And fragrance of spiritual delight&lt;br&gt;
To breeze, as though prosperity took wings&lt;br&gt;
Of amazement. Day after day, and birth &lt;br&gt;
After birth, free and heroic, her soul&lt;br&gt;
Ran even through sad but meaningful realms &lt;br&gt;
Of almighty death. There flourished her joys.&lt;br&gt;
&lt;br&gt;
…</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>23: The Yoga of the Cells by the Mother</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/9/4471268.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/9/4471268.html</guid>
    <pubDate>Tue, 09 Mar 2010 03:30:00 +0530</pubDate>
    <description>There is a feeling that we are on the way towards a great discovery and, curiously, we find that it has always been made! It could be said that the present creation is based on equilibrium, a creation which will progress constantly. And what is that discovery? It is the discovery of the Objectivisation. And what is it that drives it? Not division or separation, but perfection drives it towards it. That makes all our notions of good and evil meaningless; they become contentless. Behind all there is the consciousness of unity, and it is that which has to be lived in every part. In it ceases the division between suffering and bliss. The body itself has that sensation now. It is the “harmony of all, an equilibrium of all. And when this equilibrium will be realised in the creation, this creation will... continue to progress without rupture.” That could also mean an organization without rupture, that is, without death. The body itself gets a “perception of what one might call the extreme agony of dissolution... and then the extreme Ananda of union—the two simultaneous.” It is the identification of the two which makes the true consciousness. “And then one has the feeling that it is that... consciousness, which is the supreme Power... the absolute Power. And if That was realised physically... probably it would be the end of the problem.” Indeed, that is the experience of the world being in equilibrium. “And whatever is not that state cannot be eternal; it is that state alone which... not merely contains but expresses the eternity.” What we call the dichotomy of good and evil, and every dichotomy, every division, separation, completely disappears in it. That is the experience of the body itself, of the consciousness of unity. The moment it becomes conscious of That death ceases to be. &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Aswapati’s Yoga-Tapasya and the New Creation</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/8/4462745.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/8/4462745.html</guid>
    <pubDate>Mon, 08 Mar 2010 03:30:00 +0530</pubDate>
    <description>Keats’s sonnet &lt;i&gt;On First Looking into Chapman&#39;s Homer&lt;/i&gt; is a high mark in Romantic poetry. In the octave, the poet has travelled in the realms of gold, and one of them is the great property of Homer, a vast tract of living and vibrant land, the seer-poet holding the lordship in the company of the heroic gods and goddesses. Here is the gold of many and many-sided splendours, born from the womb of the celestial Muse herself. The sonnet describes the new wonder the poet has discovered. The awe experienced by him comes out most powerfully in the last line, “Silent, upon a peak in Darien.” But Aswapati’s new and marvellous creation is something different. It is a creation breathing in topaz radiance and has many worlds, the worlds of beauty, of love, joy, thought, will, knowledge, power, light, form, reality’s substance, all with the growing God-kind perfection everywhere. But their materialisation upon the earth must await the “veiled Transcendent’s ultimate decree”. In the House of the Spirit this new creation is ready but waiting for the veiled Transcendent’s decree. It comes in the form of a boon. That boon is the incarnation of the divine Savitri upon earth: “One shall descend and break the iron Law.” That shall be the precursor of the new creation manifesting in its deepening and widening glory. &lt;br&gt; 
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Sanatana Dharma XLI—Six Systems of Indian Philosophy (Mimāmsā) by Sanjeev Nayyar</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/7/4468292.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/7/4468292.html</guid>
    <pubDate>Sun, 07 Mar 2010 03:30:00 +0530</pubDate>
    <description>&lt;i&gt;Mimāmsā means to analyze and understand thoroughly. The philosophical systems of Mimāmsā and Vedānta are closely related to each other and are in some ways inter-dependant and complementary. While Mimāmsā emphasises the teachings of Veda in the light of rituals, Vedānta emphasises the teachings of the Veda in the light of knowledge. Mimāmsā teaches the Yoga of Action while Vedānta teaches the Yoga of Knowledge. One should develop a lifestyle designed within the framework of the yoga of action while simultaneously internalizing and spiritualizing one’s actions to realize the Vedāntic truths. Generally these two aspects combined are referred to as the yoga of action—Karma Yoga. Mimāmsā provides a philosophical justification for rituals and explains the meanings behind them. In the Veda, numerous gods and goddesses are invoked. The Mimāmsā system deems it necessary to provide a clear explanation of their nature and purpose. The Mimāmsā system also discusses the science of sound and mantra but the major concern is to emphasize the use of meditation with rituals. &lt;/i&gt; &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Poetry Time: 6 March 2010—Is there a word for meditation in the Mvskoke language?</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/6/4465167.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/6/4465167.html</guid>
    <pubDate>Sat, 06 Mar 2010 03:30:00 +0530</pubDate>
    <description>&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;img src=&quot;/MoTPhotos/Mvskoke.jpg&quot;&gt;&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt;The mornings come but we make ourselves not the light, and the Buddha returns not. In fact, why should he? Should he return, he will only have to make a trip first to Kyoto and then to Copenhagen. Instead, what we have now is “the inconvenient truth” of our own sad making, and we keep our eyes shut to the pressing reality. We look into the faces of the “frightened crowd”, not only of this age but of the times to come in sorrowful movement. This is the result of clipped and grouchy human potential, and if “something of inexplicable value” has to emerge we will have yet to know what the Buddha meant when he said “Make of yourself a light”. &lt;br&gt;
&lt;br&gt;
There is sorrow for me in the North, where the black wind blows, &lt;br&gt;
(Hush, O Wind of the dirges, O Voice of the restless dead!) &lt;br&gt;
The ache of its cruel keening thro’ my heart like an arrow goes, &lt;br&gt;
I see in the tossing waters the sheen of a dear bright head. &lt;br&gt; 
&lt;br&gt;
...
</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Sri Aurobindo’s Marriage—a discussion by Raman Reddy pertaining to a few aspects in context of the latest biography published by the Columbia University Press</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/5/4472557.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/5/4472557.html</guid>
    <pubDate>Fri, 05 Mar 2010 18:24:48 +0530</pubDate>
    <description>&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;img src=&quot;/MoTPhotos/SriAurobindoMrinalini.jpg&quot;&gt;
&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;i&gt; Let me analyse Heehs’s definition of maithunananda. My first objection to it stems from sheer common sense and not at all from the study of definitions. The first occurrence of this term in the Record is in the diary notation of 15 January 1913. Let us figure out how many years of Yoga Sri Aurobindo had completed at this point of time. If he had begun his Yoga in 1905, he would have spent 8 years from his practice of Pranayama to the two important realisations of Nirvana and the cosmic consciousness  up to the “prolonged realisation &amp; dwelling in Parabrahman for many hours” in Pondicherry around August 1912. Now it is hard to believe that after so many years of Yoga and so many major spiritual experiences, Sri Aurobindo was still in the process of attaining “spontaneous erotic delight”! I would, personally, fall off my chair and be convulsed with prolonged fits of laughter! Recovering from my laughter, I would ask Heehs one simple question: “What is the necessity of having ‘spontaneous erotic delight’ when just plain sex would do or bring about the same net result? Or is it that ‘spontaneous erotic delight’ comes after many years of difficult yogic practice in spite of it being perfectly useless for man’s physical health?” The next grand conclusion that you can perhaps expect from him is that it is indeed the highest consummation of Yoga!  It is precisely because of this eventuality that I would like to alert readers beforehand that they are being taken for a ride. It is dangerous to commit mistakes of this kind in spirituality because by the time you realise that you have gone astray, you would have ruined your life for good. Traditional wisdom (apart from plain common sense) has been repeating it from hoary times not to mix sex with spirituality and Sri Aurobindo has been uncompromisingly clear on this issue.  His Yoga can be practised in spite of sex, but not through sex, and he forbade his disciples from any immixture of it. The sexual energy, however, has to be sublimated and transformed into the “pure divine Ananda in the physical”, of which sexual pleasure is “a coarse and excited degradation”. &lt;/i&gt; &lt;br&gt;
&lt;br&gt;
…</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Madeleine Biardeau the Influential Indologist—by Roland Lardinois</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/5/4468103.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/5/4468103.html</guid>
    <pubDate>Fri, 05 Mar 2010 03:30:00 +0530</pubDate>
    <description>&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;img src=&quot;/MoTPhotos/Madeleine.jpg&quot;&gt;
 &lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; The passing away of the French scholar Madeleine Biardeau, translator of the Ramayana and an outstanding specialist of the Puranas, is a loss to understanding Hindu India. &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>The vanishing beauty of Kahoon Valley—by Tanvir Kausar Mughal</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/4/4464420.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/4/4464420.html</guid>
    <pubDate>Thu, 04 Mar 2010 03:30:00 +0530</pubDate>
    <description>&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;img src=&quot;/MoTPhotos/KahoonValley.jpg&quot;&gt; &lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;i&gt; Choa Saida Shah was a dream land, and a stream flowing through the heart of this hilly paradise was its most idyllic feature. The stream’s water level was four to five feet below the ground. Some ancient people had erected a wall of white and red stones to preserve the stream’s natural beauty and purity for future generations to enjoy the fresh waters. After crossing the town, the stream would run westwards through the beautiful landscapes of the famous Salt Ranges, ultimately mingling with the Jhelum River. It was time for prayers when my father and I arrived at Choa Saida Shah, so my father performed ablutions along the bank of the stream, under the cool shadow of eucalyptus trees. He offered his prayers there, too, while I quenched my thirst and bathed in the cool fresh water. Even 45 years later, I can feel the coolness of that water in my soul. &lt;/i&gt; &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Jim Taylor</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/3/4464221.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/3/4464221.html</guid>
    <pubDate>Wed, 03 Mar 2010 03:30:00 +0530</pubDate>
    <description>&lt;b&gt;The Spirit of Mountain&lt;/b&gt; &lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;object width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/H8LpfCMd7j0&amp;hl=en_US&amp;fs=1&amp;&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/H8LpfCMd7j0&amp;hl=en_US&amp;fs=1&amp;&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;/embed&gt;&lt;/object&gt; &lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; It seemed I was born to another sense &lt;br&gt;
And perceived even in the least flutter&lt;br&gt;
Of the wind, or applaud of the torrent, &lt;br&gt;
Or in ponderous climb of the wild yak&lt;br&gt;
A universal Nothing. These ranges&lt;br&gt;
Of the steep past surged yet to the silent&lt;br&gt;
And benign peaks of snow, and old Ganden&lt;br&gt; 
Walked unto sorrowlessness of Desire. &lt;br&gt;
There breathed no more the erstwhile disbelief &lt;br&gt;
But revealed another trueness. It held&lt;br&gt;
In its look these hundred thousand Buddhas. &lt;br&gt;
I see a sudden city rise in these hills... &lt;br&gt;
&lt;br&gt;
…</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>22: The Yoga of the Cells by the Mother</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/2/4468126.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/2/4468126.html</guid>
    <pubDate>Tue, 02 Mar 2010 03:30:00 +0530</pubDate>
    <description>Can the Divine withdraw from us? But that seems to be a strange question—because there cannot be anything but the Divine: That alone exists. We want to dismiss all that is obscure, ugly, not living, not harmonious, all that as not divine so that we might feel comfortable. It is only an attitude of ours. At the material level, in the cells themselves it is a question of action. It has power: this gives the power and it works out things slowly—slowly and painfully. In reality, there is a perception that without the delight of being, there is no being. “This perception of suffering and delight, almost of evil and good,—these are necessities for the work. The work is allowed to be done in a certain field of inconscience. The true consciousness is something altogether different. And this, it is this which this consciousness of the cells is now learning, and learning through a concrete experience, and all these evaluations of what is good and what is bad, of what is suffering and what is delight, all this appears vague.” If the Truth, the concrete Thing is seized, one would be the omnipotent master. But it belongs to what shall be, to the domain of tomorrow. “Sri Aurobindo used to say always that if one went far enough, beyond the Impersonal, if one went further beyond, one would find something that we could call ‘Person’, but which corresponded to nothing that we conceive of as ‘Person’.” He wrote in &lt;i&gt;Savitri&lt;/i&gt; about the formless liberation, of a condition where there is no frame of things, no figure of soul. In it even the temptation of joy to be vanishes. It is in that Beyond that the true Form, the true Person is recovered. &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Aswapati’s Yoga-Tapasya: Past Not-Self and Self and Selfless-ness—the utter Unknowable</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/3/1/4462341.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/3/1/4462341.html</guid>
    <pubDate>Mon, 01 Mar 2010 03:30:00 +0530</pubDate>
    <description>We have in the Gita a significant term &lt;i&gt;brahma-nirvāņa&lt;/i&gt; which, as Sri Aurobindo explains in the &lt;i&gt;Essays&lt;/i&gt;, is the extinction in the Brahman, the Vedantic loss of a partial in a perfect being. This state is different from that of supreme peace, of a calm self-extinction, &lt;i&gt;śāntim nirvāņa-paramām&lt;/i&gt;, which is not the Buddhist&#39;s Nirvana in a blissful negation of being. Generally, in these connotations, Nirvana is taken in the sense of total non-attachment and extinction of the ego. It is a state of inner deeper happiness, of peace, the peace of an absolute inactive cessation. “Sages win Nirvana in the Brahman,” says the Scripture; everything is blown out in it, everything transient and sorrowful. It further says: Brahman-knower is he who has risen into the Brahman-consciousness, &lt;i&gt;brahmavid brahmaņi sthitāh&lt;/i&gt;. One who has the deeper inner happiness and the deeper inner ease and repose and the intense inner light, that Yogin becomes the Brahman and reaches self-extinction in the Brahman, &lt;i&gt;brahma-nirvāņam&lt;/i&gt;. &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Sanatana Dharma XL—Six Systems of Indian Philosophy (Yoga) by Sanjeev Nayyar</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/2/28/4466757.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/2/28/4466757.html</guid>
    <pubDate>Sun, 28 Feb 2010 03:30:00 +0530</pubDate>
    <description>&lt;i&gt;The word Yoga is derived from the Sanskrit root&lt;/i&gt; yuj&lt;i&gt;, which means ‘to unite’. Yoga system provides a methodology for expanding one’s individual consciousness to universal Consciousness. There are various schools of Yoga—example Bhakti Yoga, Jnāna Yoga, Karma Yoga, and Kundalini Yoga. But here only Pātanjala Yoga will be reviewed because it is the most comprehensive school of Yoga. Patanjali was the first sage to systematize the philosophy and practice of Yoga. His work is known as &lt;/i&gt;Pātanjala Yoga Sutra&lt;i&gt;. There are profound commentaries on this text, Vyasa’s being the most ancient and profound. The Yoga system is highly practical, it discusses the nature of mind, its modifications, impediments to growth, afflictions and the method for attaining the highest goal of life—&lt;/i&gt;kaivalya&lt;i&gt; (absoluteness). Since this method is described in eight steps it is also called Ashtānga Yoga, the Eightfold Path. &lt;/i&gt; &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Poetry Time: 27 February 2010—An Introduction to the Poetry of Robert Burns by Don Paterson</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/2/27/4458800.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/2/27/4458800.html</guid>
    <pubDate>Sat, 27 Feb 2010 03:30:00 +0530</pubDate>
    <description>&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;img src=&quot;/MoTPhotos/Burns.jpg&quot;&gt;
 &lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt;&lt;i&gt;Burns turned into an enemy of all enemies of freedom and humanity. Such egalitarian ideals got him into trouble: he was excited by outbreak of revolution in France, and his indiscreet support nearly lost him his job as an exciseman. Burns&#39; songs enjoy an international popularity, but what&#39;s often admired in his poetry is his liberal sloganeering; however, the best of his poems shed a far more sophisticated light on the species. I can think of no wiser dissection of the slippery nature of human morality and temptation than&lt;/i&gt; Address to the Unco Guid&lt;i&gt;, for example.&lt;/i&gt; &lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt;See Social Life and Glee sit down, &lt;br&gt;
All joyous and unthinking, &lt;br&gt;
Till, quite transmugrified, they&#39;re grown&lt;br&gt;
Debauchery and Drinking: &lt;br&gt;
O would they stay to calculate&lt;br&gt;
Th&#39; eternal consequences; &lt;br&gt;
Or your more dreaded hell to state, &lt;br&gt;
Damnation of expenses! ... &lt;br&gt;
Who made the heart, &#39;tis He alone&lt;br&gt;
Decidedly can try us; &lt;br&gt;
He knows each chord, its various tone, &lt;br&gt;
Each spring, its various bias: &lt;br&gt;
Then at the balance let&#39;s be mute, &lt;br&gt;
We never can adjust it; &lt;br&gt;
What&#39;s done we partly may compute, &lt;br&gt;
But know not what&#39;s resisted. &lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>A Himalayan Wildcat Haven by Divya Gandhi</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/2/26/4459718.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/2/26/4459718.html</guid>
    <pubDate>Fri, 26 Feb 2010 03:30:00 +0530</pubDate>
    <description>&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;img src=&quot;/MoTPhotos/HimalayanWildcat.jpg&quot;&gt;
 &lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;i&gt;A little-known rainforest in north-east India could be home to the world’s largest number of wildcat species, with no less than seven species photo-documented by a wildlife biologist at the end of her two-year survey. &lt;/i&gt; &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Sea of Pilgrims at Maha Kumbh for Mahashivratri Bath</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/2/25/4455321.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/2/25/4455321.html</guid>
    <pubDate>Thu, 25 Feb 2010 03:30:00 +0530</pubDate>
    <description>&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt;&lt;img src=&quot;/MoTPhotos/Mahakumbha.jpg&quot;&gt;
&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; According to Hindu mythology, Haridwar is one of the four places where a drop of the nectar of immortality or &lt;i&gt;amrit&lt;/i&gt; fell from the pitcher or &lt;i&gt;kumbh&lt;/i&gt; when Garuda, the divine bird of Lord Vishnu, was spiriting it away from the demons after a pitched battle. Since then, Haridwar, along with Allahabad, Nashik and Ujjain—the other three places—have been celebrating the Kumbh Mela. &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Kumbha Mela: an Experience of Eternity—by Gustasp and Jeroo Irani</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/2/25/4453914.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/2/25/4453914.html</guid>
    <pubDate>Thu, 25 Feb 2010 03:30:00 +0530</pubDate>
    <description>&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;img src=&quot;/MoTPhotos/Kumbha1.jpg&quot;&gt;
&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;i&gt; To be at the Maha Kumbh celebrations at Haridwar is to get caught up in a swell of pure devotion, and rituals that haven&#39;t changed since time immemorial. Haridwar, considered one of the holiest cities in India, is the point at which the River Ganga leaves the mountains and enters the plains. Ash-smeared sadhus with flowing beards and knotted manes had descended from their quiet retreats in the neighbouring hills and mountains. We found ourselves adrift in a surreal world where different realities overlapped: a holy man in orange robes sat cross-legged on the opposite misty bank, deep in meditation; men stripped down to their underwear and women in dripping saris took purifying dips in the freezing jade-green waters of the Ganga; pilgrims floated offerings of flowers, burnt camphor and incense sticks; sadhus with flowing locks and hooded eyelids pulled on chillums; a young chela washed the feet of his stooped, grey-whiskered guru; others scooped up the river water in containers to take back home. &lt;/i&gt; &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Rukmini crosses dangerous Currents</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/2/24/4456467.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/2/24/4456467.html</guid>
    <pubDate>Wed, 24 Feb 2010 03:30:00 +0530</pubDate>
    <description>&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;img src=&quot;/MoTPhotos/Odhana.jpg&quot;&gt; &lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; It looked as though some fat vicious spirit &lt;br&gt;
Was abroad again; in the stormy dark&lt;br&gt;
False-hearted lanes quaked, and the wild goddess &lt;br&gt;
Roused ghosts of the past. … A fond good &lt;br&gt;
Was there to forewarn the woman. She felt&lt;br&gt;
Some evil slithering towards her hut&lt;br&gt;
And her Ramu crying aloud. But then&lt;br&gt;
A tigress rushed into a mother’s limbs&lt;br&gt;
And the Odhaņā in spate applauded&lt;br&gt;
The love that crosses dangerous currents. &lt;br&gt;
&lt;br&gt;
…</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>21: The Yoga of the Cells by the Mother</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/2/23/4456674.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/2/23/4456674.html</guid>
    <pubDate>Tue, 23 Feb 2010 03:30:00 +0530</pubDate>
    <description>To replace the mental law of intelligence by that of a spiritualised consciousness—that is what finally all amounts to. The body is now learning to see the difference between the two, the intellectual and the spiritual consciousness. It increases a hundredfold the possibilities of the body. When the body is ruled by the Spirit and the Consciousness, there appears an incomparable possibility and flexibility. It is that which will give it the capacity to prolong its life. All the laws of Nature lose their despotism. That is the discovery which is being made. It is like a progressive victory over all the imperatives. As the process becomes more and more perfect, more and more integral, total, leaving nothing behind—it is the victory over death. Not that the dissolution of cells which death represents does not exist, but it will exist only when it will be necessary: not as an absolute law, but as one of the procedures, when it is necessary. “Perhaps it is that which the ancient seers meant when they spoke of transferring the power of Nature or the power of Prakriti to Purusha, transferring it from Prakriti to Purusha. It is perhaps that which they expressed in this way.”</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>An exciting discovery and a 1931 scoop for The Hindu—by A Srivathsan</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/2/22/4445595.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/2/22/4445595.html</guid>
    <pubDate>Mon, 22 Feb 2010 03:30:00 +0530</pubDate>
    <description>&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;img src=&quot;/MoTPhotos/NatarajFresco.jpg&quot;&gt;
 &lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;i&gt;The discovery of Chola frescoes in 1931 “extended the frontiers of the history of Indian painting,” set the scholarly world abuzz, and expedited conservation efforts at the Brihadisvara Temple in Thanjavur. The 1000-year-old frescoes, painted at Rajarajesvaram, or the Big Temple as it is popularly known, remained unknown and hidden for centuries. The man who brought them back to life was a 28-year-old historian, SK Govindaswami. &lt;/i&gt; &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>21 February 2010—Darshan Message</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/2/21/4461601.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/2/21/4461601.html</guid>
    <pubDate>Sun, 21 Feb 2010 10:45:09 +0530</pubDate>
    <description>&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;img src=&quot;/MoTPhotos/21Feb10Darshan.jpg&quot;&gt;
&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Sanatana Dharma XXXIX—Six Systems of Indian Philosophy (Samkhya) by Sanjeev Nayyar</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/2/21/4451151.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/2/21/4451151.html</guid>
    <pubDate>Sun, 21 Feb 2010 03:30:00 +0530</pubDate>
    <description>&lt;i&gt;Samkhya philosophy, considered to be the most ancient of all the philosophical schools, was systematized by the great sage Kapila. All of Indian literature has been influenced by this philosophy. The first work of Samkhya, the &lt;/i&gt;Samskhya Sutra&lt;i&gt;, is traditionally attributed to Kapila, but in its present form is not his original work. So the&lt;/i&gt; Samkhya-karika&lt;i&gt; of Isvarakrsna is actually the earliest available Samkhya text. Among its more well-known commentaries are Gaudapada’s &lt;/i&gt;Bhashya&lt;i&gt;, Vachaspati Misra’s &lt;/i&gt;Tattvakaumudi&lt;i&gt;, Vijnanabhikshu’s &lt;/i&gt;Samskhya Pravacanbhashya&lt;i&gt; and Mathara’s &lt;/i&gt;Matharavirtti&lt;i&gt;. Topics traditionally emphasized by Kapila, Isvarakrsna and others are the theory of causation, the concept of Prakrti (the unconscious principle) and Purusha (the conscious principle), the evolution of the world, the concept of liberation and the theory of knowledge. The uniqueness of this system lies in its summing up of all the categories of reality as described in Nyaya and Vaisheshikha into two categories—Purusha and Prakriti—and thereby introducing a dualistic philosophy. &lt;/i&gt;&lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Mahādevī—from Savitri and the Chaņḍī Mahātmya</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/2/21/4460146.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/2/21/4460146.html</guid>
    <pubDate>Sun, 21 Feb 2010 03:30:00 +0530</pubDate>
    <description>O thou Goddess, embodied Strength, present in all beings and things, &lt;br&gt;
three times my reverences to thee, my reverence. &lt;br&gt;
O thou Goddess, embodied Peace, present in all beings and things, &lt;br&gt;
three times my reverences to thee, my reverence. &lt;br&gt;
O thou Goddess, embodied Motherhood, present in all beings and things, &lt;br&gt;
three times my reverences to thee, my reverence. &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Om Chidrūpiņī Paramā</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/2/20/4460127.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/2/20/4460127.html</guid>
    <pubDate>Sat, 20 Feb 2010 04:15:00 +0530</pubDate>
    <description>Now as an aspect of a great decisive occult-yogic move, Aswapati is stepping into the impenetrable luminous blank in which even the world’s yearning he was carrying with him vanishes. What he sees in that luminous blank, the brilliant Void, is a potent universe without galaxies, without streams, mountains, beasts or birds or men, all withheld in its utter formlessness, in that which can become manifest, epiphanic. Behind Sachchidānanda stood the quiescent, and what remained was nothing but the Nirvana of the Absolute, the austere apocalyptic alone, Nirvana beyond Nirvana of the Manifest. The cosmic and even the transcendental have disappeared from sight. Yet he must know that one power alone whose enigma gives meaning and contents to all these thousand things, manifest and unmanifest, phenomenal and eternal. In the process, everything is abolished, and there stands only the forceful positive, the fire that gives fire to these countless fires. In it his spirit’s will pursues the unknowable. &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
  <item>
    <dc:creator>RY Deshpande</dc:creator>
    <title>Poetry Time: 20 February 2010—Taking a Riddle into the Tavern by Hafiz</title>
    <link>http://www.mirroroftomorrow.org/blog/_archives/2010/2/20/4455218.html</link>
    <guid>http://www.mirroroftomorrow.org/blog/_archives/2010/2/20/4455218.html</guid>
    <pubDate>Sat, 20 Feb 2010 03:30:00 +0530</pubDate>
    <description>&lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; &lt;img src=&quot;/MoTPhotos/Hafiz.jpg&quot;&gt; &lt;hr align=&quot;justify&quot; color=&quot;#ff9900&quot; size=&quot;2&quot; width=&quot;100%&quot; noshade=&quot;noshade&quot;&gt; &lt;/span&gt; For many years my heart wanted &lt;br&gt;
something for me, &lt;br&gt;
not knowing that it was itself&lt;br&gt;
what it wanted: &lt;br&gt;
the desire for Jamshid&#39;s cup, &lt;br&gt;
wherein all existence can be seen, &lt;br&gt;
except for that chalice itself, that is. &lt;br&gt;
&lt;br&gt;
In the clear dawn, before the east was red, &lt;br&gt;
Before the rose had torn her veil in two, &lt;br&gt;
A nightingale through Hafiz&#39; garden flew, &lt;br&gt;
Stayed but to fill its song with tears, and fled. &lt;br&gt;
&lt;br&gt;
...</description>
    
    <category domain="http://www.mirroroftomorrow.org/blog">Main Page</category>
    
    
    
    
  </item>
  
</channel>
</rss>
